CREDITS + LINKS

  1. FLOOD, 2018, performance shot, paint marker on glass, child’s camouflage hunting-suit, using an excerpt from The Lake, duration 12:30:00. Contour 556: Canberra’s Public Art Biennial (now Canberra Art Biennial) at East Space, ACT, curated by Neil Hobbs, collaboration with author Jane Rawson. Image: Sean Davey.

  2. untitled (just keep nodding), 2024, acrylic, enamel, gesso on board, 355mm x 277mm + slower case, 2024, acrylic, gesso on board, 355mm x 277mm. Shown in un/spoken solo exhibition at M16 Artspace, ACT. Image: Brenton McGeachie.

  3. The Filling and Disappearing, 2023, screenprints on Stonehenge paper, photo album sleeves, digital video, print 126mm x 87mm (each), sleeve 402mm x 291mm (each), duration 59 seconds. Shown in Day Dreamer/Night Thinker solo exhibition at Megalo Print Studio and Gallery, ACT, curated by Stephen Payne; Edition Five at Broadhurst Gallery, Hazelhurst Arts Centre, NSW, curated by More Than Reproduction; and in the 2025 Burnie Print Prize, Burnie Arts Centre, TAS. Image: Breton McGeachie. Watch on YouTube.

  4. lowercase n (standing on a hill), 2017, gouache on Stonehenge paper, 760mm x 560mm. Shown in 2025Canberra Contemporary Members’ Show, Platform, ACT.

  5. DARK MUTTER, 2019, performance shot, projected live-drawing, animation, improvised sound, movement, duration 00:45:00. You Are Here Festival at The Phoenix, ACT, collaboration with artist Nicci Haynes, dancer Debora di Centa + creative Sia Ahmad. Image + filming: Andrew Sikorski. Watch excerpt on Nicci Haynes’ Vimeo channel.

  6. Score No. 0013 (Emotion Ensemble), 2015, screen shot, colour/audio digital projection on random code, duration infinite. Shown at: Collected Resonance: Session 1, Experimental Music Studio, ANU School of Music, ACT in 2015 + Project Project 2016 on the ANU Peter Karmel Building, ACT; Score No. 0013, Sawtooth ARI, Launceston, TAS in 2016 ; Score No. 0013, M16 Artspace, ACT in 2016; and Making Design Research, ANU School of Art + Design Gallery, ACT in 2017. Watch excerpt on YouTube.

  7. Insult Generator (Ya farkin …) , 2020, 1 result of 125K options, three laptops with 150 words on random code, duration infinite. Shown in Unsolicited Proposals Unit at Canberra Contemporary Art Space, ACT, curated by Eleanor Scicchitano; SYRUP_004: Diffraction at SYRUP Contemporary, NSW, curated by Carolyn Craig, Damian Dillion and Anthony Hodgkinson; and Futile Futures at Civic Art Bureau, ACT curated by Katrina Sluis, Litia Roko, Adam Bell. Image: Dan Toua. Watch example on YouTube.

  8. Score No. 0019 (Bauhaus Manifesto), 2019, installation shot, digital video, duration, 00:16:00. FORMFULL: FORMLESS at ANU School of Art + Design Project Space, curated by Francis Kenna from his CAPO Curatorial Internship Award. Image: Brenton McGeachie. This work also appeared at the 2019 Bauhaus Ourhaus festival at PhotoAccess; and in the solo show Score No. 0019 at Sydney Non Objective in 2019, curated by Ruark Lewis. Watch on YouTube.

  9. Self/your/our portrait (dreamer/thinker), 2023, collaged old books, found library due date slip and envelope, Japanese rice paste, double-sided tape, screenprint on end paper, 280mm x 390 mm x 20mm. Shown in Day Dreamer/Night Thinker solo exhibition at Megalo Print Studio and Gallery, ACT, curated by Stephen Payne; and in the 61st Fisher’s Ghost Art Award, Campbelltown Arts Centre, NSW. Image: Breton McGeachie.

  10. Permanent Ephemera IV (unknown printmaker series), 2023, found library due date slips, found library card pockets, book page, paper size 520mm x390mm. Shown in Day Dreamer/Night Thinker solo exhibition at Megalo Print Studio and Gallery, curated by Stephen Payne. Image: Breton McGeachie.

  11. Satellites, 2017-18, installation shot, monotypes, 326.7cm x 525cm. Shown in HERstory at M16 Artspace, curated by Lily Pedvin. Image: Brenton McGeachie. Listen to the associated soundtrack by Fever Dream Archive on Bandcamp.

  12. Score No. 0017 (Carcinoma), 2015, installation shot, animation from etchings + sound work from zinc plate etched 45, duration 00:00:53. SOUNDCHECK at ANCA Gallery, ACT. Watch on YouTube.

  13. [ shakes head at self ], 2023, LED lights, acrylic sheeting, 115.3mm x 1500mm. Shown in un/spoken solo exhibition at M16 Artspace, ACT and the Goulburn Art Award at Goulburn Regional Art Gallery, NSW. Image: Brenton McGeachie.

  14. Threshold, 2019, installation shot, acrylic on laser-cut MDF using the Alphabet for Modernity font, approx. 250cm x 550cm. Shown in BLAZE XIII at Canberra Contemporary Art Space, ACT, curated by David Broker. Image: Brenton McGeachie. Made possible by a Capital Arts Patrons’ Organisation Capital Chemist Award.

  15. The Great Vanishing, 2019, installation shot, house paint and reflectors on timber using Snowy Hydro Spencers Creek snow depth data, 270cm x 851.4cm x 1.1cm. Shown in Elegy for Winter at M16 Artspace, curated by Annika Harding. Image: Brenton McGeachie.